Each week, WDNA music director, Michael Valentine shares his album of the week. Michael’s picks often focus on new jazz releases, but sometimes dip into history with notable and classic releases worth revisiting.
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Explore Louis Hayes' latest album "Artform Revisited," featuring a stellar lineup and timeless hard bop jazz, reviewed by Michael Valentine of 88 Jazz Place.
Louis Hayes is a name that resonates deeply within the jazz community, revered for his unmatched hard bop drumming style and a career that spans over seven decades. Known for his ability to support and elevate soloists rather than dominate the spotlight, Hayes has solidified his place among the jazz elite, often mentioned in the same breath as the legendary Art Blakey.
“Artform Revisited” is Hayes’ latest offering, released in 2024 under Savant Records. This album is a testament to his enduring talent and commitment to the craft. Featuring a stellar lineup including Abraham Burton on saxophone, Steve Nelson on vibraphone, David Hazeltine on piano, and Dezron Douglas on bass, this album is a masterclass in hard bop jazz.
Hayes’ career is illustrious, with nearly 800 recording credits as both leader and sideman. His journey began in Detroit, where he was born in 1937 to a musically inclined family. His father, an auto worker, played piano and drums, while his mother, a waitress, also played piano. Hayes received his first drum kit at age 10, mentored by his cousin Clarence Stamps, who taught him the technical fundamentals of drumming. Influenced by the big-band jazz he heard on the radio and the playing of Philly Joe Jones, Hayes was leading his own groups before he turned 16.
In 1955, Hayes began an association with Yusef Lateef, recording classics like “Jazz for the Thinker” and “Before Dawn.” This led to his most notable stints with Horace Silver’s Quintet, the Cannonball Adderley Quintet, and the Oscar Peterson Trio. His collaborations with bassist Sam Jones became a hallmark of his career.
Throughout the ’70s, Hayes led various groups, recording acclaimed albums such as “Breath of Life,” “The Real Thing,” and “Ichi-Ban.” His work continued to receive recognition into the ’80s and ’90s with albums like “Colour,” “Una Max,” and “Louis at Large.” Hayes’ prolific output didn’t slow in the 2000s, with tributes like “Maximum Firepower” and live recordings further cementing his legacy.
“Artform Revisited” is not just an album; it’s a celebration of Hayes’ incredible journey and a showcase of his ability to remain relevant and innovative. With each track, listeners are treated to the sophisticated, swinging rhythms that define Hayes’ style. This album is a must-listen for any jazz aficionado, a testament to the enduring art of one of the genre’s true masters.
Join us this week on WDNA as we delve into “Artform Revisited,” our Album of the Week, and celebrate the remarkable contributions of Louis Hayes to the world of jazz. Connect with us on social media and let us know which track resonated with you the most.
To delve further into the world of Louis Hayes, visit his Home page where you can purchase the album and discover more about this incredible artist.
Stay tuned for more album reviews and updates from WDNA, your home for serious jazz.
By Michael Valentine, 88 Jazz Place at WDNA – Your trusted voice in the jazz community.
Each week, WDNA music director, Michael Valentine shares his album of the week. Michael’s picks often focus on new jazz releases, but sometimes dip into history with notable and classic releases worth revisiting.
Written by: WDNA Sales
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